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Scholarship at Lotte Lehmann Academy

Scholarship at Lotte Lehmann Academy Selected for the Academy among several candidates and being considered the highlight of this selection, Helene was also awarded Scholarship offered by Lotte Lehmann Academy. Beyond the intense course of training Helene will participate in several concerts in Germany’s summer season, singing roles as Alceste, Norma, Elisabetta (Roberto Devereux), Marietta (Die tote Stadt), Senta (Der fliegende Holländer), Rosalinde (Die Fledermaus), Die Käserin (Die Frau ohne Schatten), Leonora (Il Trovatore) and Nedda (Pagliacci). * *Translated by […]

Voice-lessons with Tati Helene

Voice-lessons with Tati Helene At the same time her intense activity as a soloist, Helene also teaches classes in vocal technique for over eight years, both in Brazil and in Europe. Following the teachings of her professors Heloise Petri, Carmo Barbosa, Antonio Garofalo and Luisa Giannini, she teaches a technique of complete chant, with a focus on the breath and in position, preparing the student to be a voice-athlete. She has taught in private conservatories and in Guri Santa Marcelina-schools, […]

Master degree in Performance in Italy

Master degree in Performance in Italy Tati Helene recently completed her Master degree in Performance at the Opera Soloist category, under the guidance of Professor Luisa Giannini, at the Conservatory Antonio Buzzolla in Adria – Italy, obtaining maximum score, honor and distinction. His dissertation, ‘Lucrezia Borgia. L’eroina crudele che rompe le convenzioni musicali ‘, discusses how Gaetano Donizetti broke with musical conventions of his time to characterize the character Lucrezia. Besides the written part, this is a master’s degree in […]

Review about Brazilians Voices Contest

  Review about Brazilians Voices Contest “Também eu, como não poderia deixar de ser, tinha minhas preferências, e lamentei não ver na seleção final aquela que me pareceu a cantora mais “pronta” – a julgar por sua única apresentação a que assisti, nas semifinais – do ponto de vista vocal e musical: a soprano Tati Helene, de São Paulo, que deu versões atraentes e lindamente trabalhadas de árias de Rusalka, de Dvorák, e do Morcego, de Johann Strauss.” Clóvis Marques […]

Review about Concert for Teresa Berganza

Review about Concert for Teresa Berganza “Tati Helene, num vestido poderosíssimo, foi uma linda Donna Anna de Don Giovanni (Mozart), cantando Non Mi Dir com sua voz aguda e cristalina.” Carla Cancellara about Concert to Teresa Berganza Blog De Verdi a Monteverdi – São Paulo/2009

Teresa Berganza speaks about Helene to Estado de São Paulo Newspaper

Teresa Berganza speaks about Helene to Estado de São Paulo Newspaper “Elogios também para o Mozart da soprano Tati Helene, Don Giovanni. “Eu poderia ficar a tarde toda ouvindo essa música!”” Interview with Teresa Berganza – João Luiz Sampaio  Estado de São Paulo Newspaper/2009

Review about Helene as Mercedes (Carmen)

Review about Helene as Mercedes (Carmen) “…com destaque para a Mercedes de Tati Helene, que chamou atenção pelo volume da voz e pela facilidade no agudo…” Carlos Eduardo Pianovxki Ruzyk about Carmen on Guaíra Theater Movimento.com – Curitiba/2009  

Review about Maria Callas Contest Final

  Review about Maria Callas Contest Final “…Já a ouvi em outras oportunidades e me surpreendi pela potência de sua voz…” Jonas Dantas  about Maria Callas Contest Final Movimento.com – Jacareí/2009

Review about Concert in Martin Luther Church

Review about Concert in Martin Luther Church “Ein ganz besonderes Bravourstück trug die Koloratursängerin Tati Helene vor. Sie brachte eine Arie aus Offenbachs “Hoffmanns Erzählungen”, wohl das einzige weltliche Werk dieses Nachmittags, vor. Ihre Stimme erreicht die höchsten Höben der Koloraturskala, moduliert weiche und harte Töne meisterhaft, und doch scheint ihr Gesang leicht und locker. Mancher Ton, laut angesetzt, rutscht auf der Tonskala, immer leiser werdend, mach unten ab, fast so, wie eine Sternschnuppe am Himmel verglüht.” Martin-Luther-Kirche Zeitung about Concert […]