Soprano Tati Helene once again dazzled on the stage of the Theatro Municipal of Rio de Janeiro, this time in the leading role of Franz Lehár’s operetta The Merry Widow (Die lustige Witwe), performed this past April.

Dressed as Carmen Miranda, Tati brought a bold and playful interpretation to the character without sacrificing the elegance the production demanded. With meticulous hand movements and expressive eye gestures, she masterfully embodied the “little notable,” in a visual tribute to the iconic Brazilian artist.

Known for her powerful voice and dramatic presence, Helene surprised audiences by showcasing remarkable versatility in a comedic role. Her interpretation of the famous Vilja Lied charmed listeners with delicate, colorful pianissimos, fully choreographed with gestures that evoked the spirit of Carmen Miranda—creating a moment of rare beauty and originality.

Critic Alex Varela, in his review for Revista do Villa, was unequivocal in his praise: “Tati Helene embodied the title role with versatility and elegance.” His words capture the essence of a performance that also thrilled the audience with Helene’s soaring high D-flats at the end of the quintet and the Act II Finale, which drew enthusiastic applause.

With yet another triumph added to her résumé, Tati Helene reaffirms her place among the leading voices in Brazilian opera, proving she can move with mastery between drama and comedy, refined lyricism and popular charisma.

Photo: Daniel Ebendinger